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Vortex 2022 Film Review:

I had the opportunity of seeing Gaspar’s newest film at the 74th Cannes Film Festival this year. Being an admirer of his entire filmmography as well as one of my favorite working directors, I was very much excited to see this premiere. I knew close to nothing about it, but the poster and title seemed to offer somerthing both different and promising.

And I think we will all agree this is different. I was expecting a new version of “Enter The Void” this time dealing with old age instead of DMT, but this wasn’t the case at all. This film isn’t exactly completely new territory for Gaspar, but it’s the first time he lazer focuses on making an emotional impact mainly through his actor’s performances. In so many of his other works, his directing style is bold and brash, making use of several filmmaking techniques to match the style of his films in accordance with their substance. In “Irréversible”, he filmed every scene in one take to add a sense of immersion and show both the ugly and the beauty of the events with little artifice. He also showed the events backwards, to add to the theme of time being the ultimate destructor. In “Enter The Void”, he used POV shots and special effects to make the camera go through walls, in “I Stand Alone” he made great use of transitions between shots etc…

I still enjoyed it for what it tried to be, and for the performences. It’s also very refreshing to see a more personnal film from Gaspar, away from his usual reputation and for the first time without an R or NC-17 rating. But I simply cannot put aside how long this film seemed. Just like with “Irréversible”, he wrote a 10-page script and ended up with a 2 hour film, which is one of his shortcomings. I will probably watch it again sometime, when I’ll really be in the mood for this again, and maybe I’ll give it a 7 instead of a 6 after a few more viewings. But for now, this will definitely not be his masterpiece.

Vortex (2022) Movie : Full StoryLine –

The last days of an elderly couple stricken by dementia.

Vortex is a 2021 independent psychological drama film[3] written and directed by Gaspar Noé. The film premiered in the Cannes Premiere section at the 2021 Cannes Film Festival.[5][6] It stars Dario Argento as a father and author, Lui, his first leading role, alongside Françoise Lebrun as his wife, Elle, and Alex Lutz as his son, Stéphane. The film received acclaim from critics and audiences, with particular praise for Noe’s direction and writing, performances, emotional power, scope, ambition and execution.

The film is set in northeast Paris, near the Stalingrad Station,[10] and revolves around an elderly couple as they struggle with declining mental and physical health with the help of their adult son, who is also dealing with significant personal problems.